En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Kinderszenen, Op.15: Von fremden Ländern und Menschen

Le chemin enneigé, bordé de bougies, monte à la vieille Église de Saanen de 1604. Sous son toit, le vieux bois de la balustrade, d’une chaude couleur miel, travaille, grince, gémit : l’atmosphère des concerts hivernaux à Gstaad est unique.

Charlotte Corderoy impresses in her Cadogan Hall debut with a trio of 19th-century Russian classics, featuring pianist Martin James Bartlett playing Tchaikovsky.

Overture, concerto, symphony: nothing to scare the horses here, nor in works by three major composers, Wagner, Mozart and Beethoven. Nothing world-shaking either in solid but often one-dimensional performances.

Martha Argerich returns to the Enescu Festival for one of the pillars of her repertory, Prokofiev's Third Piano Concerto, in a buoyant performance. 

The octogenarian phenomenon that is Martha Argerich still has something different to say about Schumann's Piano Concerto, while Sylvain Cambreling adopts a bright and breezy approach to Schubert's Ninth Symphony.

A month into the year-long "Nature Unwrapped" programme at Kings Place, it was the turn of its resident Aurora Orchestra to contribute to the series.

An all-Beethoven evening at the Philharmonie where the orchestral playing lacked bite, but Nicholas Angelich provided warmth and humanity in the Fourth Piano Concerto.