En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ouverture: Léonore II, Op. 72a

A concert of two halves: the Philharmonia and Dame Mitsuko Uchida light up Beethoven with the essence of Classical style, but the orchestra struggles in Sibelius’ Lemminkäinen Suite. 

Der junge Wilde an der Trompete findet mit dem ehrwürdigen Schweizer Stadtorchester einen gut gelaunten Partner.

Bekannter Beethoven beim LPO mit tollem Solisten und bravourösen Bläsern, aber doch zu entschlossen unentschlossen: Vibrato ja oder nein, Dynamik ja oder nein?

A startling new work from Jörg Widmann follows disciplined Beethoven at the Philharmonie. 

At 89, Blomstedt may now be in the autumn of his years, but his conducting is certainly the equivalent of Ol' Blue Eyes' “vintage wine from fine old kegs”, as evidenced in tonight's splendid all-Beethoven Prom with the Gewandhaus.

An all-Beethoven concert by Markus Stenz and the Baltimore Symphony Orchestra provided an opportunity to hear familiar, not-so-familiar and downright rare repertoire from the master's pen.

Bernard Haitink and the LSO in fine form for an all-Beethoven programme, but the 'Glorious Ninth' fails to impress.

A sensational finale to Beethoven's Fifth concludes the Orchestre Révolutionnaire et Romantique's 25th birthday concert, following a fine display of vocal excellence by Anna Caterina Antonacci.

It was only through a litany of roster changes that the Orchestra Mozart’s London debut at the Royal Festival Hall took place at all. Beginning with Claudio Abbado and Martha Argerich down to play Haydn and Mozart, a dual cancellation meant Bernard Haitink and Maria João Pires had to step in at what may as well have been the last minute.