En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Le Beau Danube bleu (An der schönen blauen Donau), Op.314

Dans des circonstances pesantes, l'OSR et Simone Young ont livré un concert inégal, d'un Beau Danube bleu peu enjoué à une émouvante Valse triste – en passant par un décevant Concerto n° 3 de Prokofiev avec Alexandre Kantorow.

Le National et son directeur musical ont proposé un programme festif rappelant que Vienne n'est pas seulement la patrie des Strauss mais aussi le creuset d'une quantité de traditions populaires d'Europe centrale.

De la trompette de Marc Geujon aux valses de Strauss, retour sur le concert du Nouvel An donné par l'Orchestre Symphonique de Mulhouse à La Filature et diffusé sur Facebook.

L’Orchestre de la Suisse Romande et Renaud Capuçon envoûtés par la baguette irrésistible de Sir Mark Elder. Une soirée qui restera dans les mémoires. 

La Real Orquesta Sinfónica de Sevilla, con Lucas Macías en la dirección, da la bienvenida al nuevo año con un programa rico y variado interpretado con la alegría que requiere la ocasión.

Polished playing and inspirational performances in Basingstoke that underline the exciting relationship between Mark Wigglesworth and the Bournemouth Symphony Orchestra.

Yuja Wang stuns the Gilmore Festival audience with a formidable program of Messiaen, Debussy, Scriabin, and Chopin – and a generous selection of encores.

The Hallé and conductor Stephen Bell usher in 2022 with a joyful Viennese concert of music by the Strauss family and other composers. 

The slow movement is gorgeous in an unashamedly romantic fashion and Morrison, some moments of uncertain intonation aside, gave a poetic rendition, at times fining his sound down to the most exquisite filigree of sound. 

An evening in which the piano – in some cases two, in others three – took centre-stage with members of the Osokins family.

Following the recipe of the New Year Concert from Vienna, the CBSO demonstrated their ability, but not much originality in this predictable programme. 

Christoph Altstaedt conducts the Ulster Orchestra in a charming programme of quintessentially Viennese music for New Year.

Imogen Cooper shone in Aurora's serious and fulsome performances of Mozart.

Several of Tokyo’s finest collaborate in successfully delivering a re-opening concert at Suntory Hall

Jeremy Denk's take on Brahms didn't impress Brahms, the Piano Concerto no. 1 in D minor proving an unequal, if refreshing, contest. 

The Royal Philharmonic Orchestra presented a space-themed concert in an exciting evening’s programme of many well-known pieces rolled into a couple of hours.

The Manchester Camerata under Alpesh Chouhan and soprano Olena Tokar welcomed the New Year with Johann Strauss favourites, five of Brahms's Hungarian Dances and a selection of arias.

Martyn Brabbins and the Rotterdam Philharmonic took the audience on a journey through our solar system in The Planets: An HD Odyssey.

So begins the fifth year of Alan Gilbert’s quest to make the New York Philharmonic the very model of a modern symphony orchestra: a concert in which the music director spent the vast majority of this time seated stock still; in which the luckier of the musicians spent most of their hours looking up at a big screen; and in which the audience spent most of their evening entranced by visuals and jump

The BBC Proms 2013 began with some of the best of English composers. Tonight for Prom 28 it was the turn of some of Scotland’s finest, as Donald Runnicles conducted the BBC Scottish Symphony Orchestra in a performance of James MacMillan’s Violin Concerto. There were plenty of old favourites from Beethoven and Strauss Jr.