Staring into the unknown: The New York Philharmonic play 2001: A Space Odyssey

Par David Allen, 24 septembre 2013

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Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 20 septembre 2013

Ligeti, Atmosphères

Strauss R., Ainsi parlait Zarathoustra (Also sprach Zarathustra), Op.30

Ligeti, Requiem (Kyrie)

Strauss II, Le Beau Danube bleu (An der schönen blauen Donau), Op.314

Ligeti, Lux aeterna

Ligeti, Aventures

New York Philharmonic

Alan Gilbert, Direction

Alec Baldwin, Présentation

Musica Sacra

Kent Tritle, Direction musicale

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

Semyon Bychkov conducts a triumphant New York Phil season finale

Susan Stempleski, 4th June

The Soviet-born American conductor delivers a robust account of Bruckner’s Eighth Symphony in the final program of the Philharmonic’s subscription season.

****1

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

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David Allen

David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.