En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Miserere mei, Deus

De Luigi Rossi à Giovanni Giorgi, en passant par Alessandro Scarlatti et Gregorio Allegri, le chef de la Cappella Mediterranea tisse un programme lumineux qui pousse les curseurs toujours plus loin.

Dans le cadre imprévu du Palais des Congrès de Souillac, Félicien Brut, Lucienne Renaudin Vary et Thibaut Garcia ont enchanté le public, avant le concert plein de recueillement de Tenebrae avec La Sportelle.

Avec sa Cappella Mediterranea et le chœur accentus, le chef argentin a transporté le public au XVIIe siècle, au cœur des cérémonies religieuses de la ville éternelle.

Dans une expérience sonore et visuelle exceptionnelle, le Vlaams Radiokoor illumine la Basilique Nationale du Sacré-Cœur sous la direction de James MacMillan.

El Valletta Baroque Festival acoge al coro Tenebrae con un programa de excepcional calidad, centrado en el barroco pero con ecos contemporáneos.

ORA Singers directed by Suzi Digby in a spiritual performance contrasting ancient and modern sacred works performed in the historic St Kohn's Kirk, opening 2025 Perth Festival.

British choir Tenebrae performs Masterworks of the Renaissance in Sydney's City Recital Hall. 

The Sixteen y Harry Christophers emocionan con un programa dedicado a la música de la Capilla Sixtina en los siglos XVI y XVII

Die Tallis Scholars beweisen vokale Identität beim RheinVokal Festival 2016.

Is Allegri's Miserere really the most famous choral work of all time? Harry Christophers and the Sixteen offer a significantly altered version of this work, in a programme otherwise devoted to the religious music of Palestrina and Macmillan.

As part of the Muziekgebouw’s 2014 Choral Series, renowned chamber choir The Sixteen gave a passionate, committed performance of music by Palestrina, Allegri, and modern composer James MacMillan. 

The Tallis Scholars have been one of the foremost Renaissance vocal ensemble since their inception forty years ago. This was the ensemble’s first visit to New Zealand (organised by Chamber Music New Zealand in partnership with the New Zealand Choral Federation and Dean Endowment Trust) and the performance quality made it worth every minute of the forty year wait.

Singing polyphonic music requires a specific sound. To be truly effective there must be a beautifully rounded and well blended choral sound, but at the same time the individual lines must be clearly decipherable within the overall texture. This is a balance that The Tallis Scholars seem to find effortless.

The programme notes for The Sixteen’s 2013 Choral Pilgrimage draw attention to how composers have been inspired by the grandeur and beauty of their places of worship and work. In this context, the setting for The Sixteen’s concert in Oxford was more than suitable. Completed in 1200, Christ Church Cathedral is a mixture of Romanesque and Gothic architecture.

It would seem that Easter has come early to Oslo. Friday marked the opening of the Oslo International Church Music Festival, a festival that this year is devoted to the ever-paschal theme of the passion. The opening concert was held in the Oslo Cathedral and was sung by the British vocal ensemble The Tallis Scholars.The concert focused on passion, in both senses of the word.

The Brandenburg Choral Festival is an enormous endeavour, with hundreds of concerts all over London, featuring all kinds of choral music and a diverse range of performers. Tonight we were in the beautiful church of St Martin-in-the-Fields, the heart of the festival, for a late-night concert of stunning Tallis, Byrd and Allegri by candlelight.