En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Otello: Ave Maria

In her New York recital debut, the young Norwegian soprano displays the extent of her vocal and theatrical power in an unusually wide-ranging program of songs and opera arias. 

The operatic focus was on Otello and Capriccio, but Enrique Mazzola held back the LPO's star turn with Dvořák’s overture as a thrilling opener. 

“I missed dress applause!” Renée Fleming returns to live performance in style with a recital alongside pianist Inon Barnatan. 

As Italy moves into a third lockdown, defiant operatic affirmations at the Teatro alla Scala. 

Unlike the conucopia of duets Verdi wrote for soprano and baritone, his music for soprano and bass is much more limited and what exists is not exactly the acme of his output.

Bracing and emotionally direct performances from the Australian Chamber Orchestra and Nicole Car, in a carefully-planned programme.