En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Recitative and Aria for Soprano, "Misera, dove son!", K369

Bracing and emotionally direct performances from the Australian Chamber Orchestra and Nicole Car, in a carefully-planned programme.

A fascinating first-half juxtaposition of Enescu and Bartók is followed by a strangely unconvincing take on Mozart's “Prague” Symphony.

Barbara Hannigan gives a virtuoso performance of Ligeti's Mysteries of the Macabre with the Mahler Chamber Orchestra in Lucerne.

Prague’s classical music community is walking a little taller and prouder this week. Collegium 1704 stepped up on Saturday night with an 18th century opera program that offered an inspirational reminder of how period music can and should be played.

Barbara Hannigan stars both as singer and conductor with ensemble Ludwig at the Concertgebouw. This is a difficult double act and one that doesn't entirely succeed.

Mozart and Mendelssohn are surely two of the most popular composers for both the seasoned elitist and the irregular classical listener; tonight’s offering of time-tested favourites wrapped in the summer breeze of familiarity, coupled with the rare and exciting prospect of hearing Mendelssohn’s complete incidental music for Shakespeare’s A Midsummer Night’s Dream, was likely to be a draw – and it w