En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | The Concert (or, The Perils of Everybody)

Avec trois œuvres datées des années 1960 et 1970, l’Opéra de Paris fait redécouvrir le répertoire de Jerome Robbins, emblématique de la danse néoclassique, entre minimalisme et paillettes, avec une touche d’humour.

The Royal Ballet School students shine at their annual matinée at the Royal Opera House showing exceptional talent and versatility.

The Royal Ballet School deliver a promising mixed programme with some truly exceptional individual performances.

One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.

A mixed bag from three titans of twentieth century ballet. of which Les Patineurs stands the test of time, best of all; the perfect winter dream: one that comes in a snooze after mulled wine in front of a roaring log fire.    

Sterling Hyltin owns The Concert and seems to be having the best time of anybody onstage.

The Pacific Northwest Ballet's season opener captures different periods of neoclassical ballet with Christopher Wheeldon's Tide Harmonic, George Balanchine's Prodigal Son and Jerome Robbin's The Concert (or, The Perils of Everybody).

The Stanislavsky Ballet presents a triple bill dedicated to the late American choreographer Jerome Robbins. A fresh performance, with guest performances by Natalia Osipova and Sergei Polunin.

Boston Ballet ends its 2014-2015 season with Thrill of Contact, a truly thrilling program of four works that showcase a wide spectrum of styles.