| samedi 17 avril 2027 | 19:00 |
| samedi 24 avril 2027 | 11:00 |
| dimanche 02 mai 2027 | 11:00 |
| dimanche 09 mai 2027 | 11:00 |
| Opéra d'État hongrois | ||
| István Dénes | Direction | |
| Michał Znaniecki | Mise en scène | |
| Luigi Scoglio | Décors | |
| Magdalena Dabrowska | Costumes | |
| Bogumil Palewicz | Lumières | |
| Orchestre de l'Opéra d'État hongrois | ||
| Chœurs de l'Opéra d'État hongrois | ||
| Judit Kenesey | Dramaturgie | |
| Dora Jana Klarić | Mezzo-soprano | The mother of the girl |
| Zsolt Juhász | Chorégraphie | |
| Gábor Csiki | Chef de chœur | |
| Erika Gál | Mezzo-soprano | Háziasszony (housewife) |
| Máté Fülep | Baryton | Kérője (suitor) |
| Mária Farkasréti | Soprano | Szomszédasszony (neighbour) |
| Barna Bartos | Ténor | Fiatal Legény (young man) |
| Kinga Kriszta | Soprano | Fiatal Leány (young girl) |
| Attila Erdős | Basse | A Nagyorrú Bolha (flea) |
“A people can best be known through their folk songs,” claimed Zoltán Kodály, one of the crucial proponents of Hungarian music, whose main ambition as a composer, collector of folk songs and music teacher was to inculcate a love for Hungarian folk song and to cultivate a knowledgeable audience. The Spinning Room is the epitome of Kodály's efforts. When the Hungarian Royal Opera commissioned a full-length version of the work from the composer in 1931, it wasn't an opera that Kodály intended to write – instead his aim was to re-discover the Hungarian folk song and relay its simple dramatic power. Kodály was of Polish extraction on his mother's side. And now, breaking with convention, audiences will get the chance to see through the eyes of a Polish director, Michał Znaniecki, how a foreign artist perceives this quintessentially Hungarian work.
Székelyfonó (The Spinning Room) par Michał Znaniecki, nos comptes-rendus

