| mardi 15 décembre 2026 | 19:30 |
| mercredi 16 décembre 2026 | 19:30 |
| jeudi 17 décembre 2026 | 19:30 |
| samedi 19 décembre 2026 | 19:30 |
| dimanche 20 décembre 2026 | 15:00 |
| mardi 22 décembre 2026 | 19:30 |
| mercredi 23 décembre 2026 | 19:30 |
| dimanche 27 décembre 2026 | 15:00 |
| mardi 29 décembre 2026 | 19:30 |
| mercredi 30 décembre 2026 | 19:30 |
| Rossini, Gioachino (1792-1868) | La Cenerentola (Cendrillon) | Livret de Jacopo Ferretti |
| La Monnaie | De Munt | |||
| Speranza Scappucci | Direction | déc. 15, 17, 19, 22, 27 mat, 29, 31 | |
| Stefano Sarzani | Direction | déc. 16, 20 mat, 23, 30 | |
| Daniel Kramer | Mise en scène | ||
| Carlos J Soto | Décors, Costumes | ||
| Elana Siberski | Lumières | ||
| Orchestre Symphonique de La Monnaie | |||
| Chœur de La Monnaie | |||
| Xenia Wiest | Chorégraphie | ||
| Emmanuel Trenque | Chef de chœur | ||
| Gaëlle Arquez | Mezzo-soprano | Angelina (Cinderella) | déc. 15, 17, 19, 22, 29, 31 |
| Sophie Rennert | Mezzo-soprano | Angelina (Cinderella) | déc. 16, 20 mat, 23, 27 mat, 30 |
| Josh Lovell | Ténor | Don Ramiro | déc. 15, 17, 19, 22, 29, 31 |
| César Cortés | Ténor | Don Ramiro | déc. 16, 20 mat, 23, 27 mat, 30 |
| Sean Michael Plumb | Baryton | Dandini, valet de Ramiro | déc. 15, 17, 19, 22, 29, 31 |
| Andres Cascante | Baryton | Dandini, valet de Ramiro | déc. 16, 20 mat, 23, 27 mat, 30 |
| Pietro Spagnoli | Baryton | Don Magnifico | |
| Patrick Carfizzi | Baryton | Don Magnifico | |
| Margaux de Valensart | Soprano | Clorinda | |
| Marie-Juliette Ghazarian | Mezzo-soprano | Tisbe | |
| Michael Mofidian | Baryton-basse | Alidoro | déc. 15, 17, 19, 22, 29, 31 |
| Peter Martincic | Baryton-basse | Alidoro | déc. 16, 20 mat, 23, 27 mat, 30 |
Subjected to humiliations by her stepsisters, Cinderella also sees her fortune squandered by her own father. But her goodness and courage win the heart of Prince Don Ramiro, who recognizes her true worth.
A great composer for voices, Gioachino Rossini achieved another tour de force with La Cenerentola. Virtuoso arias, sustained vocal lines, subtle nuances, a fast-paced text and expressive richness all serve the refined characterizations. The ensembles, which range from duets to a stunning sextet, are among the most memorable in the repertoire.
For his debut at La Monnaie, director Daniel Kramer breathes new life into this tale inspired by Charles Perrault that blends magic and humour with dark undertones. Conductors Speranza Scappucci and Stefano Sarzani, who will also be making their debut in Brussels, will sublimate Rossini’s most beautiful melodies.
Ticket sales start 28 August 2026
Dynamic ticket prices
Young Opera / under 18: €10 to €50
Under 30: €10 to €75
Standard: €15 to €175
