| Opéra d'État hongrois | |||
| Fabrizio Maria Carminati | Direction | ||
| Csaba Polgár | Mise en scène | ||
| Lili Izsák | Décors, Costumes | ||
| Tamás Bányai | Lumières | ||
| Orchestre de l'Opéra d'État hongrois | |||
| Ármin Szabó-Székely | Dramaturgie | ||
| Karina Sarkissova | Danse | ||
| Zita Szemere | Soprano | Marie | 2022 janv. 14, 21, 29 |
| Rita Rácz | Soprano | Marie | 2022 janv. 16, 23 |
| Gergely Boncsér | Ténor | Tonio | 2022 janv. 14, 21, 29 |
| Istvan Horvath | Ténor | Tonio | 2022 janv. 16, 23 |
| Atala Schöck | Mezzo-soprano | Marquise de Berkenfield | 2022 janv. 14, 21 |
| Mária Farkasréti | Soprano | Marquise de Berkenfield | 2022 janv. 16, 23, 29 |
| András Palerdi | Basse | Sulpice | 2022 janv. 14, 21, 29 |
| Marcell Bakonyi | Baryton | Sulpice | 2022 janv. 16, 23 |
| Bence Pataki | Basse | Hortensius | 2022 janv. 14, 21, 29 |
| Attila Dobák | Baryton | Hortensius | 2022 janv. 16, 23 |
| Tünde Szalontay | Comédien | Duchesse de Crakentorp |
Comic opera in two acts, in French with Hungarian and English surtitles
Since being orphaned as a small child, the young and plucky Marie has grown up in the French army. Unaware of her aristocratic origins, she falls in love with a handsome peasant lad. Will she really marry him out of love? Set during the Napoleonic Wars, La fille du régiment was one of Gaetano Donizetti’s most successful operas during its own era, and singing the title role was the dream of every coloratura soprano throughout the entire 19th century. In 1838, tired of his constant struggles with the Italian censors, Donizetti moved to Paris. There, the great Italian bel canto composer wrote his first French-language comic opera, modelling it much more on the unique features of the French opéra comique style and its composers. Donizetti’s opera is a candid love letter to France – and the country reciprocated his affection, staging it every 14 July, on Bastille Day.