Royal Academy of Music: Susie Sainsbury TheatreMarylebone Rd, Londres, Greater London, NW1 5HT, Royaume-uni
Dates/horaires selon le fuseau horaire de London
Programme
| Dove, Jonathan (n. 1959) | Flight | Livret de April De Angelis |
Artistes
| Royal Academy Opera | |||
| Gareth Hancock | Direction | ||
| Martin Duncan | Mise en scène | ||
| Francis O'Connor | Décors, Costumes | ||
| Royal Academy of Music Sinfonia | |||
| Ilona Revolskaya | Soprano | Controller | 2018 mars 12, 17 mat |
| Carrie-Ann Williams | Soprano | Controller | 2018 mars 15, 17 |
| Patrick Terry | Contre-ténor | Refugee | 2018 mars 12, 17 mat |
| Alexander Simpson | Contre-ténor | Refugee | 2018 mars 15, 17 |
| Meinir Wyn Roberts | Soprano | Tina | 2018 mars 12, 17 mat |
| Alexandra Oomens | Soprano | Tina | 2018 mars 15, 17 |
| Hannah Poulsom | Mezzo-soprano | Minskwoman | 2018 mars 12, 17 mat |
| Frances Gregory | Mezzo-soprano | Minskwoman | 2018 mars 15, 17 |
| Olivia Warburton | Mezzo-soprano | Stewardess | 2018 mars 12, 17 mat |
| Fiona MacDonald | Mezzo-soprano | Stewardess | 2018 mars 15, 17 |
| Marvic Monreal | Mezzo-soprano | Older Woman | 2018 mars 12, 17 mat |
| Leila Zanette | Mezzo-soprano | Older Woman | 2018 mars 15, 17 |
| Hiroshi Amako | Ténor | Bill | 2018 mars 12, 17 mat |
| Alexander Aldren | Ténor | Bill | 2018 mars 15, 17 |
| Richard Walshe | Basse | Minskman | 2018 mars 12, 17 mat |
| Paul Grant | Baryton | Minskman | 2018 mars 15, 17 |
| Nicholas Mogg | Basse | Steward | 2018 mars 12, 17 mat |
| Robert Garland | Basse | Steward | 2018 mars 15, 17 |
| Michael Mofidian | Baryton-basse | Immigration Officer | 2018 mars 12, 17 mat |
| Darwin Prakash | Baryton | Immigration Officer | 2018 mars 15, 17 |
Fasten your seatbelt and prepare for take-off with our new Theatre’s inaugural production: Jonathan Dove’s Flight. After his romping success with Offenbach’s Orphée aux enfers, Royal Academy Opera is delighted to welcome back director Martin Duncan, with designs by Francis O’Connor. This iconic score, which has found worldwide acclaim since its 1998 Glyndebourne Tour premiere, brilliantly sets the rich libretto by April De Angelis with the themes explored as relevant now as they were 20 years ago. The production is conducted by Director of Opera Gareth Hancock, who worked on the original Richard Jones production.
