| Wagner, Richard (1813-1883) | Tristan et Isolde (ópera semiescenificada) |
| Teatro Real | |||
| Semyon Bychkov | Direction | ||
| Justin Way | Mise en scène | ||
| Orquesta Titular del Teatro Real | |||
| Coro Titular del Teatro Real | |||
| Catherine Foster | Soprano | Isolde | |
| Andreas Schager | Ténor | Tristan | |
| Franz-Josef Selig | Basse | Roi Marke | |
| Brian Mulligan | Baryton | Kurwenal | 2023 mai 03, 06 |
| Thomas Johannes Mayer | Baryton | Kurwenal | 2023 avril 25, 29 |
| Neal Cooper | Ténor | Melot | |
| Ekaterina Gubanova | Mezzo-soprano | Brangäne | |
| Jorge Rodríguez-Norton | Ténor | le Berger | |
| David Lagares | Basse | le Pilote | |
| Alejandro del Cerro | Ténor | le Jeune Matelot |
Based on a medieval legend of Celtic origin, the libretto of Tristan und Isolde – written by Richard Wagner himself – expresses a rich constellation of cultural references which range from Buddhism to the theatre of Calderón and the philosophies of Feuerbach and Schopenhauer. Arranged around the pairs of eros/thanatos, obligation/instinct and conscience/ subconscious, these associations suggest a vanguard dramatic setting which looked nearly half a century ahead to the birth of modern psychology. With his score, Wagner not only marked a point of no return in the evolution of tonality and, with that, of Western music, but he also expressed in musical terms - by means of ample crescendos, compelling climaxes and profound anticlimaxes - the distinct moments of our most basic impulse: sexuality.
Definitely considered one of the five most influential and indisputable operas of all times, we will enjoy a semi-staged version, conducted by Semyon Bychkov, who is a most sought after conductor of Wagner at present.
