Wagner, Richard (1813-1883) | Tristan et Isolde (ópera semiescenificada) |
Teatro Real | |||
Semyon Bychkov | Direction | ||
Justin Way | Mise en scène | ||
Orquesta Titular del Teatro Real | |||
Coro Titular del Teatro Real | |||
Catherine Foster | Soprano | Isolde | |
Andreas Schager | Ténor | Tristan | |
Franz-Josef Selig | Basse | Roi Marke | |
Brian Mulligan | Baryton | Kurwenal | 2023 mai 03, 06 |
Thomas Johannes Mayer | Baryton | Kurwenal | 2023 avril 25, 29 |
Neal Cooper | Ténor | Melot | |
Ekaterina Gubanova | Mezzo-soprano | Brangäne | |
Jorge Rodríguez-Norton | Ténor | le Berger | |
David Lagares | Basse | le Pilote | |
Alejandro del Cerro | Ténor | le Jeune Matelot |
Based on a medieval legend of Celtic origin, the libretto of Tristan und Isolde – written by Richard Wagner himself – expresses a rich constellation of cultural references which range from Buddhism to the theatre of Calderón and the philosophies of Feuerbach and Schopenhauer. Arranged around the pairs of eros/thanatos, obligation/instinct and conscience/ subconscious, these associations suggest a vanguard dramatic setting which looked nearly half a century ahead to the birth of modern psychology. With his score, Wagner not only marked a point of no return in the evolution of tonality and, with that, of Western music, but he also expressed in musical terms - by means of ample crescendos, compelling climaxes and profound anticlimaxes - the distinct moments of our most basic impulse: sexuality.
Definitely considered one of the five most influential and indisputable operas of all times, we will enjoy a semi-staged version, conducted by Semyon Bychkov, who is a most sought after conductor of Wagner at present.