Critiques récentesEn voir plus...
Regents Opera’s Salome lands a knockout punch at York Hall
Mark Ravenhill directs a brutal, bloody Salome at the spiritual home of British boxing, York Hall.
Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne
Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.
ENO brings It's a Wonderful Life to the operatic stage
English National Opera's It’s a Wonderful Life makes for a feel-good evening of theatre, but it requires a sweet tooth.
Too many mirrors spoil the Staatsoper's Hippolyte et Aricie
Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.
Entertaining but not entrancing: Turnage's Coraline
Mark-Anthony Turnage's take on Neil Gaiman's classic young adult novella is well sung and well staged, without quite reaching peak intensity.
Rambert: Ghost Dances & other works
Britain's oldest dance company continues to entertain, challenge and inspire with yet another well-rounded triple bill
Articles récents
Musicians and dancers receive Kingʼs Birthday Honours
The honours system recognises people who have made achievements in public life and committed themselves to serving and helping Britain.
Bleeding and dancing: Mark Ravenhill gets his teeth into Salome
The trailblaizing playwright makes a return to the operatic stage to direct a new production of Strauss’ Salome with Regents Opera – held in an old boxing venue, an apt location given the opera’s bloody subject...