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Artiste: Amanda Majeski

Spectacles à venirEn voir plus...

New York CityMozart, Haydn and Nina C Young

Young, Haydn, Mozart
New York Philharmonic Orchestra; Jaap van Zweden; Carter Brey; Miah Persson; Amanda Majeski; Nicholas Phan

MadridThe PassengerNew production

The Passenger
Weinberg: The Passenger
David Afkham; David Pountney; Teatro Real; Johan Engels; Marie-Jeanne Lecca; Daveda Karanas; Amanda Majeski

StuttgartIphigénie en Tauride

Gluck: Iphigénie en Tauride
Stefano Montanari; Krzysztof Warlikowski; Oper Stuttgart; Małgorzata Szczęśniak; Amanda Majeski; Johannes Kammler

New York CityAmanda Majeski, soprano; Philippe Sly, bass-baritone; & Julius Drake, piano

Beethoven, Wolf
Amanda Majeski; Philippe Sly; Julius Drake

RomeKatya Kabanova

Janáček: Katya Kabanova
David Robertson; Richard Jones; Teatro dell'Opera di Roma; Antony McDonald; Amanda Majeski; Charles Workman
Critiques récentesEn voir plus...

Die Vergangenheit als Trauma: Warlikowskis Iphigénie en Tauride

Amanda Majeski (Iphigénie) © Martin Sigmund
Warlikowski weitet die Zeit- und Realitätsebenen aus, und gestaltet ein Menschheitsdrama, das bis in die Gegenwart reicht.

Two great debuts, not enough drama: Katya Kabanova at ROH

Amanda Majeski (Katya) © ROH | Clive Barda
Amanda Majeski is magnificent in the title role; Ed Gardner shows total master of Janáček's music. But that's not enough to rescue a poorly thought out Richard Jones production.

Little regard for Mozart and da Ponte in Met's Così

Serena Malfi (Dorabella) and Adam Plachetka (Guglielmo) © Marty Sohl | Metropolitan Opera
Phelim McDermott’s new Met production is set in Brooklyn’s Coney Island in the late 1950s and is brilliantly vivid looking, but Mozart's music plays second fiddle. 

Jaap van Zweden blazes trail for the HK Phil

Jaap van Zweden conducts Götterdämmerung © Ramond Ho
The final instalment of the Hong Kong Philharmonic's Ring cycle merits the orchestra joining the international big league. 

Stéphanie d'Oustrac shines as Sesto in Paris

Stéphanie d'Oustrac (Sesto) and Ramón Vargas (Tito) © Sébastien Mathé | Opéra national de Paris
Marble and solitude: Willy Decker's view of La clemenza di Tito is revived with a strong cast at L'Opéra de Paris.