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Opera Australia’s Eugene Onegin shines musically
Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.
Wagner’s Lohengrin finally returns – swanless – to Rome
Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.
Das Glück ist ein Vogerl: La rondine an der Volksoper Wien
Lotte de Beer gibt Puccinis Oper einen neuen – feministischen – Anstrich.
Confusion clouds any central critique in Clément's Don Giovanni
Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.
Gerts' dark Rachmaninov brings NSO season to a close in Dublin
The Isle of the Dead and The Bells make gloomy bookends to the final concert of the season, but Mihhail Gerts makes a great case for both at the National Concert Hall.
Jolanthe und der Nussknacker: Volksoper Wien lässt die Puppen tanzen
Lotte de Beer wagt ein Capriccio aus Peter Tschakowskys Jolanthe und dem Nussknacker. Durchweg unterhaltsam, aber nicht bahnbrechend.