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Theater an der Wien premieres Christian Jost's Egmont
Keith Warner directs a new opera which packs in betrayal, murder, oppression, freedom, love and the Spanish Inquisition into a mere 90 minutes.
Sweeney Todd: Zurich ventures into a bloody musical
Hats off to Andreas Homoki, Artistic Director at the Zurich Opera House, for staging a musical around “the chill of ghostly shadows”.
Capriccio: Strauss’ swansong at the Staatsoper
Vienna State Opera offered a solid production in which precious little gleamed.
Elegie für junge Liebende: Ein fesselndes Kammerspiel
Keith Warner und das Theater an der Wien beweisen mit Elegie für junge Liebende ein weiteres Mal ihre hervorragende Zusammenarbeit.
A shark with shiny teeth
Requiring trained opera singers to focus primarily on acting and asking actors to sing in a renowned opera house puts everyone out of their comfort zone, which is not necessarily a bad thing.
A tangled knot: Milhaud’s La mère coupable
I have no objection per se with naked women bathing in blood, masturbating to crucifixes or being flagellated by priests in confessional booths, but only if it somehow aids understanding of the story