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Artiste: Anna-Doris Capitelli

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PesaroLe siège de CorintheNouvelle production

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Rossini: Le siège de Corinthe
Carlo Rizzi; Davide Livermore; Rossini Opera Festival; Eleonora Peronetti; Gianluca Falaschi; Nicolas Bovey; Orchestra del Teatro Comunale di Bologna

PesaroStabat Mater

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Rossini: Stabat Mater
Orchestra del Teatro Comunale di Bologna; Domingo Hindoyan; Vasilisa Berzhanskaya; Anna-Doris Capitelli; Dmitry Korchak; Adrian Sâmpetrean

SevilleRoméo et Juliette

Teatro de la Maestranza y Salas del Arenal, S.A.
Gounod: Roméo et Juliette
Dmitry Matvienko; Luca de Fusco; Teatro de la Maestranza; Marta Crisolini Malatesta; Gigi Saccomandi; Real Orquesta Sinfónica de Sevilla
Critiques récentesEn voir plus...

Giorgio Strehler’s Nozze di Figaro still going strong at La Scala

Ildebrando D'Arcangelo (Almaviva) and Benedetta Torre (Susanna) © Brescia & Amisano | Teatro alla Scala
A good, mostly Italian cast brings alive one of the most famous productions by the great director Giorgio Strehler, under the baton of Andrés Orozco-Estrada.

Blue Nun Flórez prevails over de Ana’s garden of earthly delights

Juan Diego Flórez (Comte Ory) © ROF | Amati Bacciardi
Opening the 2022 Rossini Opera Festival in Pesaro, Hugo de Ana's new production plunges Le Comte Ory into Hieronymus Bosch’s lusty triptych. 

Olivier Py's Thaïs doesn't set pulses racing in Milan

Olivier Py's new production at La Scala is inspired by art depicting the Temptation of St Anthony, but turns out to be disappointingly tame.

Ariadne in Milan: the director cannot find the thread

Frederic Wake-Walker sticks to a vapid pop-parody that demeans the intellectual message of Strauss' Ariadne auf Naxos.

A touch of magic realism to Hänsel und Gretel

Bechtolf's seductively imaginative staging consists in a flat pack fairytale world full of surprises that delight like the contents of a pop up book.