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BerlinLearNouvelle production
Reimann: Lear
Nicholas Carter; Barrie Kosky; Komische Oper Berlin; Rebecca Ringst; Klaus Bruns; Olaf Freese; Orchester der Komischen Oper Berlin
MunichDoctor AtomicNouvelle production
Adams: Doctor Atomic
Gemma New; Claus Guth; Bayerische Staatsoper; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester
MunichDoctor AtomicNouvelle production
Adams: Doctor Atomic
Gemma New; Claus Guth; Bayerische Staatsoper; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester
Highland ParkThe Abduction from the Seraglio
Mozart: Die Entführung aus dem Serail (L'Enlèvement au sérail)
James Conlon; Harry Silverstein; Chicago Symphony Orchestra; Chicago Symphony Chorus; Kathryn Lewek; Miles Mykkanen
New YorkDer Rosenkavalier
Strauss R.: Le Chevalier à la rose (Der Rosenkavalier)
Yannick Nézet-Séguin; Robert Carsen; Metropolitan Opera; Paul Steinberg; Brigitte Reiffenstuel; Peter van Praet; The Metropolitan Opera Orchestra
San FranciscoDas Rheingold
Wagner: L'Or du Rhin (Das Rheingold)
Eun Sun Kim; Francesca Zambello; San Francisco Opera; Michael Yeargan; Catherine Zuber; Mark McCullough; San Francisco Opera Orchestra
Critiques récentesEn voir plus...
Mozart blows a fuse: Entführung at the Théâtre des Champs-Élysées
Jessica Pratt lights up the Parisian skies with her Konstanze in Florent Siaud’s new production of Mozart's Singspiel at the Théâtre des Champs-Élysées.
Petrenko und Serebrennikov schmieden in Salzburg einen neuen Ring
Die umjubelte Rückkehr der Berliner Philharmoniker nach Salzburg beginnt musikalisch eindrucksvoll. Das Regiekonzept von Kirill Serebrennikov wirft zahlreiche Fragen auf, beantwortet jedoch nur wenige davon. Christian Gerhaher debütiert als Wotan in bemerkenswert intellektueller Manier.
Singers bring passion and excitement to Met’s Andrea Chénier revival
The Metropolitan Opera kicks off this season’s revival of Umberto Giordano’s tempestuous melodrama with standout performances from a resplendent cast.
John Adams’ Antony and Cleopatra arrives at the Met
John Adams’ Antony and Cleopatra puts the composer's propulsive music at the service of both moments of riveting human drama and less effective scenes of battle and politics.
Joana Mallwitz makes a radiant Met debut leading a vigorous Figaro
A rising German conductor draws superb playing from the orchestra in the Met’s fifth revival of Richard Eyre’s witty 2014 production.
A light Marriage of Figaro makes the case for fun in Chicago
Lyric Opera of Chicago revives its diverting and divisive 2015 original production by Barbara Gaines, who does it like a Shakespearean sex farce.