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Londres‘Ariadne auf Naxos’ from GlyndebourneVersion semi-scénique
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
LeedsEugene OneginNouvelle production
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
Newcastle upon TyneEugene OneginNouvelle production
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
SalfordEugene OneginNouvelle production
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
NottinghamEugene OneginNouvelle production
Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
LondresAdriana Mater
Saariaho: Adriana Mater
André de Ridder; Annilese Miskimmon; English National Opera; Rosanna Vize; Evie Gurney; Lee Curran; English National Opera Orchestra
Critiques récentesEn voir plus...
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
The First Night of the BBC Proms: celebration and redemption
The BBC's annual classical jamboree is launched in fine style with a premiere and a timely revival, conducted by Sakari Oramo.
Taj Mahal by Nishat Khan premieres at Grange Park Opera
Scion of generations of sitar players, Nishat Khan is the perfect person to tell the "greatest love story never told" behind India's most iconic building.
Philosophy trumps passion in Glyndebourne’s Tristan
Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.
Garsington Opera's new A Midsummer Night's Dream
In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?
Handelian labours: Kosky directs Hercules at Komische Oper Berlin
Handel's seldom-performed Hercules becomes the latest oratorio to undergo the Kosky treatment at Komische Oper.