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Londres‘Ariadne auf Naxos’ from GlyndebourneVersion semi-scénique
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
LeedsEugene OneginNouvelle production
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Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
Newcastle upon TyneEugene OneginNouvelle production
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Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
SalfordEugene OneginNouvelle production
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Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
NottinghamEugene OneginNouvelle production
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Tchaïkovski: Eugène Onéguine
Garry Walker; Patrick Nolan; Opera North; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Orchestra of Opera North
LondresAdriana Mater
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Saariaho: Adriana Mater
André de Ridder; Annilese Miskimmon; English National Opera; Rosanna Vize; Evie Gurney; Lee Curran; English National Opera Orchestra
Critiques récentesEn voir plus...
The First Night of the BBC Proms: celebration and redemption
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The BBC's annual classical jamboree is launched in fine style with a premiere and a timely revival, conducted by Sakari Oramo.
Taj Mahal by Nishat Khan premieres at Grange Park Opera
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Scion of generations of sitar players, Nishat Khan is the perfect person to tell the "greatest love story never told" behind India's most iconic building.
Philosophy trumps passion in Glyndebourne’s Tristan
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Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.
Garsington Opera's new A Midsummer Night's Dream
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In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?
Handelian labours: Kosky directs Hercules at Komische Oper Berlin
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Handel's seldom-performed Hercules becomes the latest oratorio to undergo the Kosky treatment at Komische Oper.
A Glyndebourne Dream that works its sinister magic
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A strong revival cast, conducted by Dalia Stasevska, demonstrate why Sir Peter Hall's 1981 vintage staging of Britten’s A Midsummer Night's Dream is such a classic.