Artiste: Chris Alexander

“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte. 

Seattle Opera closes its season with an Ariadne auf Naxos that highlights the comedy but only fitfully comes to life in the opera within the opera.  

L'opéra subversif de Mozart revisité par la production comique de Chris Alexander ouvre la saison lyrique de Seattle.