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LondresGrétry Zemira e Azor
Grétry: Zemira e Azor
Andrew Griffiths; Jeremy Gray; Bampton Classical Opera; CHROMA; Ffion Edwards; Gwilym Bowen; Rachel Roper
Critiques récentesEn voir plus...
A darkly atmospheric Turn of the Screw from Bury Court Opera
As the Governess Alison Rose was the ideal suffering soprano, her eyes an imbroglio of psychological disturbances.
So foul and fair a day: Verdi's Macbeth at Iford
Iford's stone cloister makes a suitably eerie setting for a fine traditional account of Verdi's Macbeth, notable for its powerful male leads, from Iford Festival Opera and the CHROMA Ensemble.
Powerful and assured: 4.48 Psychosis
Philip Venables' 4.48 Psychosis is the first musical adaptation of the eponymous play by Sarah Kane, which is the culmination of a three-year programme run jointly by the Royal Opera and Guildhall School of Music and Drama.
Sophisticated Christmas sparkle at the Royal Opera House
Philip Pullman's exotic adventure about a girl determined to follow her father's footsteps gets a gently magical outing with Sri-Lankan inspired shadow puppetry and a strong cast.
Time to say goodbye: Moonlight /The Last Seed
Two strongly atmospheric pieces create and hold a dreamy, intensely imaginative note on which to finish Tête à Tête for 2015.
Getting behind the mask: an intense Ballo at Iford
While it may seem perfectly formed for the full grand opera treatment, Verdi's classic Un ballo in maschera can also work extremely well on a small scale, as shown by this intimate and compelling treatment by Timothy Nelson at Iford.