Artiste: Edward Gardner

Après un Premier Concerto peu concertant et un peu raide sous la baguette d'Edward Gardner, le London Philharmonic Orchestra a paru nettement plus décomplexé dans une Première Symphonie convaincante.

Une bien belle soirée qui offrit au public « The Infant Minstrel and His Peculiar Menagerie » plein de malice et de jeunes talents vocaux, un Vadim Gluzman Royal et un Orchestre de la Suisse Romande rutilant sous la baguette inspirante d’Edward Gardner.

Délicatesse et conviction de l’Orchestre national de Lyon dans Wagner, Mendelssohn et le Requiem de Fauré

Strauss is a Proms favourite, but it was some songs from Canteloube, beautifully delivered by Louise Alder, that make the greatest impression at the LPO's Prom. 

Edward Gardner’s Pittsburgh Symphony debut brings freshness and intensity to Beethoven and Tchaikovsky, alongside a sparkling tribute to Michael Tilson Thomas.

Peter Lieberson's Neruda Songs with the mezzo-soprano Joyce DiDonato teem with subtle brilliances. 

Principal clarinettist with the CBSO, Oli Janes talks about the elegies, raucous dances and virtuoso fireworks of Bartók’s Concerto for Orchestra, which the orchestra performs in April.

The London Philharmonic new Artistic Director talks of his enthusiasm for the orchestra's forthcoming ventures, both in London and in its travels across the South Coast.

Describing the chorus of Teatro San Carlo being “made up of two rival mafia families”, the British conductor has drawn the ire of the Mayor of Naples.