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Artiste: Éva Szendrényi

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BudapestRossini: Il barbiere di Siviglia

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Rossini: Il barbiere di Siviglia (Le Barbier de Séville)
Sámuel Csaba Tóth; Csaba Káel; Opéra d'État hongrois; Éva Szendrényi; Anikó Németh; Orchestre de l'Opéra d'État hongrois; Chœurs de l'Opéra d'État hongrois
Critiques récentesEn voir plus...

New Rusalka staging hits most of the right notes in Budapest

Andrea Brassói-Jőrös (Rusalka) and Zoltán Nyári (Prince) © Attila Nagy | Hungarian State Opera
Andrea Brassói-Jőrös shines in the title role of János Szikora's new staging of Dvořák's fairy tale opera. 

The Queen of Sheba a rare Hungarian delight in New York

The Hungarian State Opera's first New York tour featured an opera of forbidden love set in the Biblical Times by Karl Goldmark, and was a rare treat for the New York audience.

Sensational Hungarian double bill at Müpa

In a sensational Hungarian double bill of taut psychological drama at Müpa, Péter Eötvös' Senza sangue proves a thrilling partner to Bartok’s Bluebeard’s Castle.

Hungarian State Opera's slow-motion The Queen of Sheba

The score of Goldmark's opera is filled with lovely orchestral surprises, in addition to stunning arias, but is often filled with an abundance of slow tempos.

Bartók double bill at Müpa Budapest

Hungarian critic Sandor Hevesy once declared that Bluebeard’s Castle was “far too dark”. Yet, Bartók’s Bluebeard’s Castle and Miraculous Mandarin are probably the summation of his orchestral journey. And what better experience then making it to Budapest, to hear it in its birthplace?

Hungarian State Opera's glossy Turandot

Excitingly conducted and largely well-sung, this sumptuous but unfussy Turandot should please both traditionalist and adventurous operagoers.