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MunichParsifal
Wagner: Parsifal
Pablo Heras-Casado; Pierre Audi; Bayerische Staatsoper; Georg Baselitz; Florence von Gerkan; Urs Schönebaum; Bayerisches Staatsorchester
Critiques récentesEn voir plus...
Lise Davidsen thrills in Metropolitan Opera’s Fidelio revival
Exceptional singing enlivens a flawed production, which takes liberties with the tone and tenor of Beethoven's sole opera.
Die Entdeckung der Langsamkeit: Parsifal an der Bayerischen Staatsoper
Pierre Audis Inszenierung und das Sängerensemble angeführt von einem grandiosen Christian Gerhaher sorgen für einen denkwürdigen Opernabend.
Die Dreigroschenoper becomes L’Opéra des quat’sous in Aix
Brecht and Weill’s political satire could hardly be more relevant, but Thomas Ostermeier and Maxime Balcon's new production fails to do it justice.
Splendid performance of Parsifal amid Audi's bleakness in Munich
The Bayerische Staatsoper's revival of a controversial production containing Georg Baselitz’s artwork succeeds with strong musical performances led by veterans of Wagnerian operas.
Pierre Audi’s new Parsifal grinds the gears in Munich
Instead of telling a story of spiritual enlightenment and ultimate redemption through faith, Pierre Audi's reading is bereft of mystery and magic.
Jürgen Flimm's production of Fidelio returns to The Met after a long absence
The Met revived Beethoven's only opera Fidelio with a strong cast and excellent chorus and orchestra, with a production that celebrates liberty and love.