Critiques récentesEn voir plus...
Reality wants augmenting in Daniel Kramer's Die tote Stadt
What's a director to do while we wait for technology to catch up with the complexities of the human condition?
Boris Blachers ausdrucksstarker Romeo und Julia in Duisburg
Unter fast 40 Romeo-Vertonungen die wohl kürzeste: aus Blachers Komprimierung von Shakespeares Tragödienstoff zieht die Duisburger Neuinszenierung intensive Überzeugungskraft.
Stars and the score shine in The Count of Luxembourg
Baritone Kay Stiefermann steals hearts at the eponymous Count of Luxembourg, in an operetta so charming that neither musical missteps nor a mixed-up staging can sink it.
Between two worlds: Wozzeck in Düsseldorf
Stefan Herheim's eagerly awaited production of Berg's Wozzeck distances us from the emotional heart of the tragedy by portraying the story as a hallucinatory death-room experience.
Die Zauberflöte in Düsseldorf
Animated characters are the real stars of an imaginative production of The Magic Flute.
Opera inside out: Ariadne auf Naxos
A well-sung revival of a witty and supremely theatrical production of Strauss’ operatic exposé.