Die Zauberflöte in Düsseldorf

Par Edward Sava-Segal, 30 mai 2017

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Critique faite à Opernhaus, Düsseldorf, le 27 mai 2017

Mozart, La Flûte enchantée (Die Zauberflöte)

Deutsche Oper am Rhein

Axel Kober, Direction

Christoph Stöcker, Direction

Patrick Francis Chestnut, Direction

Barrie Kosky, Mise en scène

Esther Bialas, Décors, Costumes

Lavinia Dames, Pamina

Heidi Elisabeth Meier, Pamina

Anett Fritsch, Pamina

Anke Krabbe, Pamina

Antonina Vesenina, Reine de la nuit

Christina Poulitsi, Reine de la nuit

Svetlana Moskalenko, Reine de la nuit

Jussi Myllys, Tamino

Ovidiu Purcel, Tamino

Bernhard Berchtold, Tamino

Dmitri Vargin, Papageno

Richard Sveda, Papageno

Bogdan Baciu, Papageno

Bogdan Taloș, Sarastro

Sami Luttinen, Sarastro

Thorsten Grümbel, Sarastro

Sylvia Hamvasi, Première Dame

Inga-Britt Andersson, Première Dame

Adela Zaharia, Première Dame

Dimitra Kotidou, Papagena

Monika Rydz, Papagena

Marta Márquez, Deuxième Dame

Iryna Vakula, Deuxième Dame

Sarah Ferede, Deuxième Dame

Ramona Zaharia, Troisième Dame

Katarzyna Kuncio, Troisième Dame

Luis Fernando Piedra, Premier homme en armure

Bruce Rankin, Premier homme en armure

Johannes Preißinger, Monostatos

Florian Simson, Monostatos

David Jerusalem, Second homme en armure

Torben Jürgens, Second homme en armure

Suzanne Andrade, Mise en scène

Diego Leetz, Lumières

Gerhard Michalski, Chef de chœur

Ulrich Lenz, Dramaturgie

Chor der Deutschen Oper am Rhein

Düsseldorfer Symphoniker

Scheitern statt Scheiterhaufen: Die Jungfrau von Orléans in Düsseldorf

Svenja Koch, 9th September

Elisabeth Stöppler inszeniert Tschaikowsky-Rarität als Charakterstudie statt Kriegstableau.

****1

Reality wants augmenting in Daniel Kramer's Die tote Stadt

Eleanor Knight, 16th April

What's a director to do while we wait for technology to catch up with the complexities of the human condition?

***11

Boris Blachers ausdrucksstarker Romeo und Julia in Duisburg

Michael Vieth, 17th April

Unter fast 40 Romeo-Vertonungen die wohl kürzeste: aus Blachers Komprimierung von Shakespeares Tragödienstoff zieht die Duisburger Neuinszenierung intensive Überzeugungskraft.

****1

Kunst als Widerstand: Der Kaiser von Atlantis in Düsseldorf

Alexandra Richter, 19th September

Die Deutsche Oper am Rhein inszeniert ein wichtiges Werk des in der NS-Zeit verfolgten Künstlers Viktor Ullmann.

****1

Duisburg’s Don Carlos rescued from a devastating deluge

Brian Angus, 17th May

What do you do when 80 tonnes of water flood your theatre, your sets and costumes? Rescue, reshape and present what you can. That’s what Deutsche Oper am Rhein have had to do in Duisburg.

***11

All the world's a stage: Xerxes as a comedy of backstage rivalry

Matthew Rye, 17th January

A revival of Stefan Herheim's production of Handel's Xerxes in Düsseldorf makes for a rip-roaring evening of theatrical comedy.

****1

Plus de critiques...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Primo il cinema e poi la musica: Die Zauberflöte in Düsseldorf