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High WycombeLa traviataNouvelle production
Verdi: La Traviata
Douglas Boyd; Louisa Muller; Garsington Opera; Tess Jackson; Christopher Oram; Marcus Doshi
High WycombeThe Importance of Being EarnestNouvelle production
Barry: The Importance of Being Earnest
Douglas Boyd; Jack Furness; Garsington Opera; Francis O'Connor; Hannah Wolfe; Philharmonia Orchestra; Rebecca Meltzer
High WycombeIl ritorno d'Ulisse in patriaNouvelle production
Monteverdi: Il ritorno d'Ulisse in Patria (Le Retour d'Ulysse dans sa patrie), SV 325
Laurence Cummings; John Caird; Garsington Opera; Robert Jones; Paul Pyant; The English Concert
Critiques récentesEn voir plus...
The Importance of Being Earnest is a smash hit for Garsington
A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth.
Monteverdi and Ulisse return happily to Garsington Opera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.
Viennese splendour in Garsington’s Rosenkavalier revival
Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast.
Garsington’s new La traviata ticks every musical and dramatic box
Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.
A radically trad Fidelio at Garsington
Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
Ravishing Rodelinda: Handel al fresco at Garsington Opera
Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing.
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High WycombeRodelindaNouvelle production
Haendel: Rodelinda, regina de' Longobardi
Peter Whelan; Ruth Knight; Garsington Opera; Leslie Travers; Ben Pickersgill; The English Concert
Articles récents
State of the (operatic) union: notes from Opera Europa
Audiences, energy prices, politics, sustainability... With nearly 400 opera executives assembled in Copenhagen, the Opera Europa autumn conference was the ideal venue to take the temperature of the opera industry.