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Artiste: Gianluca Falaschi

Spectacles à venirEn voir plus...

SydneyAttila

© Georges Antoni
Verdi: Attila
Andrea Licata; Davide Livermore; Opera Australia; Giò Forma; Gianluca Falaschi; Taras Berezhansky; Natalie Aroyan

MelbourneAttila

© Georges Antoni
Verdi: Attila
Renato Palumbo; Davide Livermore; Opera Australia; Giò Forma; Gianluca Falaschi; Taras Berezhansky; Anna Pirozzi

SydneyAida

© Georges Antoni
Verdi: Aida
Giampaolo Bisanti; Davide Livermore; Opera Australia; Tahu Matheson; Giò Forma; Gianluca Falaschi; Elena Gabouri

BrisbaneAida

© Georges Antoni
Verdi: Aida
Francesco Lanzillotta; Davide Livermore; Opera Australia; Giò Forma; Gianluca Falaschi; Elena Gabouri; Diego Torre

HanoverAlcinaNew production

Haendel: Alcina
Rubén Dubrovsky; Lydia Steier; Staatsoper Hannover; Cameron Burns; Flurin Borg Madsen; Gianluca Falaschi; Hailey Clark
Critiques récentesEn voir plus...

Scarpia stabbed, Tosca smothered by Livermore’s La Scala staging

Anna Netrebko (Tosca) © Marco Brescia & Rudy Amisano | Teatro alla Scala
Anna Netrebko chews the scenery as Floria Tosca… and there’s a lot of it to get her teeth into in David Livermore’s busy staging in Milan.

Saoia Hernández wins La Scala hearts in Attila

Ildar Abdrazakov (Attila) © Teatro alla Scala | Brescia e Amisano
Outstanding vocal and orchestral performances light up La Scala's season opener, matched to a conservative but visually arresting staging from Davide Livermore.

Digitally Aida’d: A new production at Opera Australia

Elena Gabouri (Amneris) and Amber Wagner (Aida) © Prudence Upton
Davide Livermore's digital set for Opera Australia's new production of Aida ushers in a new type of staging to the Sydney Opera House, and backs up a stellar performance from Amber Wagner in the title role.

Cardillac at the Maggio Musicale Fiorentino

Cardillac © Michele Borzoni | TerraProject/Contrasto
The in-house orchestra played out of its skin under Fabio Luisi.

Don Pasquale, or, The Revenge of the Dead Mother

Ambrogio Maestri (Don Pasquale) © Brescia & Amisano | Teatro alla Scala
Director Davide Livermore sets the story at the time of the Dolce Vita, including the motorbike from the film Roman Holiday and the roadster from The Easy Life.