Critiques récentesEn voir plus...
Sombre Ariodante au Scottish Opera
Cette nouvelle production du plus écossais des opéras de Haendel s’en tire avec les honneurs, malgré un orchestre à la peine.
Cunning Little Vixen at the RNCM: simple but richly detailed
Martin Pickard conducts Leoš Janáček’s ever popular opera The Cunning Little Vixen in a traditional but effective staging by Harry Fehr.
The Royal Academy's Carmen has too many what-if moments
Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.
Magic takes time to sparkle in ENO's Elixir of Love
Harry Fehr’s directorial debut for ENO transposes Donizetti’s tale into a World War 2 setting. Rhian Lois charms and commands as Adina.
Exquisite Handelian singing in San Francisco Opera's Orlando
The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.
A dystopian police state for Reisopera's new Tosca
A fine cast convinces in Dutch Reisopera's new Tosca, staged in a dystopian police state.