Critiques récentesEn voir plus...
Rossini’s Cenerentola proves great fun in Adelaide
Neil Armfield’s production for State Opera South Australia combines a sparkling night of entertainment with first class musical values.
Young and the Sydney Symphony perform a splendid Die Walküre
Wotan's predicaments provide Sydney's victory: Chief Conductor Simone Young has her musicians on some of their best form in recent years, with only a few question marks over an excellent concert performance.
Verdi caught in La Monnaie's revolving door
A marathon double bill using music from Verdi's early operas largely falls flat in Brussels.
The Return of the Screw: chilling Britten at Garsington Opera
Louisa Muller returns to revive her 2019 production, preserving the ambiguity – did the Governess see these things or imagine them?
A game of two halves: Ariadne auf Naxos at Longborough
Ariadne auf Naxos shines in an ultra-contemporary world of high net worth tantrums at Longborough Festival Opera, complete with glam rock fairies, giant string, and glorious music.
A Wagner rarity: no wine, no women and no carnival either!
The Chelsea Opera Group give a concert performance of Wagner's early opera Das Liebesverbot conducted by Anthony Negus.