A Wagner rarity: no wine, no women and no carnival either!

Par Alexander Hall, 26 octobre 2015

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Critique faite à Cadogan Hall, Londres, le 25 octobre 2015

Wagner, Das Liebesverbot (The Ban on Love),

Chelsea Opera Group

Anthony Negus, Direction

Helena Dix, Isabella

Elizabeth Cragg, Dorella

Kirstin Sharpin, Mariana

Toby Girling, Antonio

Peter Hoare, Claudio

Paul Curievici, Luzio

David Soar, Friedrich

Nicholas Folwell, Brighella

Piran Legg, Danieli

Chelsea Opera Group Orchestra

Nuns on the run: Le Comte Ory

Mark Pullinger, 25th June

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

***11

At it hammer and tongs: Chelsea Opera Group's Trovatore

Dominic Lowe, 28th February

A spirited performance of Verdi's beloved work highlighted the virtues of opera in concert.

***11

Ernani: Sweltering heat, Spanish passions

Mark Pullinger, 3rd July

Rarely performed, Verdi's fifth opera Ernani is full of fiery passions, with a relentless flow of melodic invention, as heard in this concert performance by Chelsea Opera Group.

***11

To Paradise and back: a thrilling Roi de Lahore

Mark Pullinger, 1st March

Chelsea Opera Group presents the strongest case imaginable for Massenet’s Le Roi de Lahore, with Michael Spyres, no less, as the King.

****1

Siegfried et l’art du chant au Théâtre des Champs-Élysées

Pierre Michel, 19th April

Pour ce troisième volet du Ring proposé en version de concert par Yannick Nézet-Séguin et l'Orchestre philharmonique de Rotterdam, c'est le plateau vocal qui brille avant tout, éclipsant l'orchestre et le chef.

***11

Michael Fabiano fait trembler le Capitole dans Otello

Arnaud Saura-Ziegelmeyer, 14th April

Pour ses débuts à Toulouse, le ténor américain se distingue dans le rôle-titre de l'ouvrage verdien. Mise en scène, plateau vocal et fosse s'associent parfaitement pour livrer la quintessence du drame.

*****

Plus de critiques...

Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Das Liebesverbot: A Wagner rarity with no wine, no women and no carnival!