Critiques récentesEn voir plus...
Un Don Giovanni en PLS pour l’ouverture du Festival d’Aix
La mise en scène de Robert Icke est une cruelle déception, pas compensée par les qualités de la distribution et de la direction musicale de Simon Rattle.
Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne
Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.
The Royal Ballet: Anemoi/The Cellist a well-balanced double bill
The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill.
Ballett Zürich: Cathy Marston's The Cellist brings love and despair
Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense.
Music triumphs over tragedy: Marston’s moving The Cellist
In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.
It's grim up North: a heartbreaking Katya Kabanova in Leeds
Tim Albery's production for Opera North is well sung and superbly acted, involving us deeply in Janáček's tragic family drama.