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Artiste: Jamie Woollard

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MunichDeath in VeniceNouvelle production

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Britten: Mort à Venise
Edward Gardner; Vasily Barkhatov; Bayerische Staatsoper; Zinovy Margolin; Olga Shaishmelashvili; Alexander Sivaev; Bayerisches Staatsorchester
Critiques récentesEn voir plus...

Firing blanks: Oxford International Opera’s aimless Tosca

Sir Bryn Terfel (Scarpia) and chorus © Alex Brenner
The inaugural production of Oxford's new “international” company lacks direction, but Carmen Giannattasio’s Tosca makes the trip worthwhile. 

Glyndebourne’s iconic Dream approaches its century

Nils Wanderer (Oberon) and Jennifer France (Tytania) © Glyndebourne Productions Ltd | Tristram Kenton
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season. 

Mummy issues: Michieletto’s Carmen returns to The Royal Opera

Aigul Akhmetshina (Carmen) © RBO | Marc Brenner
Aigul Akhmetshina is on the verge of becoming the definitive Carmen; in this first revival of Michieletto's 2024 production at Covent Garden, she delivers the standout performance. 

“Taffia Tosca” burns with Welsh fire

Sir Bryn Terfel (Scarpia) and Natalya Romaniw (Tosca) © RBO | Clive Barda
Led by Bryn Terfel's Scarpia and Natalya Romaniw's Tosca – not forgetting Aled Hall's scene-stealing Spoletta – this revival of Jonathan Kent's 2006 staging is urgently paced. 

Soaring orchestral themes, minimalist staging: Eugene Onegin

Liparit Avetisyan (Lensky), Avery Amereau (Olga) © Royal Ballet and Opera | Tristram Kenton
The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.

Tézier's suave Scarpia steals the limelight in ROH Tosca revival

Ludovic Tézier (Scarpia) © ROH | Marc Brenner
Tosca is back for another run, more dimly lit than ever, but illuminated by French baritone Ludovic Tézier as a Scarpia oozing with sinister charm and ironic humour.