Live EventsEn voir plus...
The HagueChristmas Holiday
Corelli, Vivaldi, Simon
Amsterdam Sinfonietta; John Holiday; Candida Thompson
BerlinEchnaton (Akhnaten)
Glass: Akhnaten
Jonathan Stockhammer; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Klaus Bruns; Orchester der Komischen Oper Berlin
MunichDie Fledermaus
Strauss II: La Chauve-souris (Die Fledermaus)
Vladimir Jurowski; Barrie Kosky; Bayerische Staatsoper; Rebecca Ringst; Klaus Bruns; Joachim Klein; Bayerisches Staatsorchester
AmsterdamRed FoxCréation mondiale
Du Yun: Red Fox
Pierre Bleuse; Barrie Kosky; Dutch National Opera; Klaus Grünberg; Thibaut Welchlin; Tieni Burkhalter
Critiques récentesEn voir plus...
Carlos Simon’s new Afterparty in Beverly Hills
Countertenor John Holiday performs the world premiere of Carlos Simon’s work, inspired by the gathering that helped spark the Harlem Renaissance.
Händels Alcina an der Bayerischen Staatsoper
Insbesondere mit exzellenter Sängerschar und einem Staatsorchester, das erstmals Barockinstrumente einsetzt, wird die Neuproduktion von Alcina von den Münchner Festspiel-Besuchern umjubelt.
Opulent minimalism: Kosky directs a new staging of Akhnaten
Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references.
Barrie Kosky's Agrippina is finally crowned at DNO
The Australian director's 2019 production of Handel's satirical comedy-thriller arrives in Amsterdam, with a cast led by the fabulous Stéphanie d'Oustrac.
Lebhaft, leidenschaftlich, lustvoll: Koskys Agrippina in München
Zwei Primadonnen und drei Countertenöre brachten superben barocken Operngesang von Weltrang ins Münchner Prinzregententheater.
Sacred, secular... and stylish: Accademia Bizantina celebrates Vivaldi
Two concerts at Milton Court intersperse The Four Seasons with concertos from L'estro armonico and sacred cantatas featuring countertenor John Holiday.
Articles récents
Inside out and upside down: Opera world premieres 2026–27
This season, new operas are depositing characters in limbo between this life and the next – from Lincoln in Missy Mazzoli’s Lincoln in the Bardo, to Bassem Akiki’s supernatural retelling of the life of Mustafa Kemal Atatürk.