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Artiste: Jonathan Eyers

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Blandford ForumL’elisir d’amore

© No credit
Donizetti: L'Elisir d'Amore (L'Élixir d’amour)
Frank Zielhorst; Andy Morton; Dorset Opera; Rufus Martin; Libby Watson; Mark Jonathan; Dorset Opera Orchestra

Blandford ForumSamson et Dalila

© No credit
Saint-Saëns: Samson et Dalila
Jeremy Carnall; Paul Carr; Dorset Opera; Rufus Martin; Libby Watson; James Smith; Dorset Opera Orchestra

LiverpoolBirdsong with Jonathan Eyers, baritone

© Jonathan Eyers
Ravel, Chaminade, Chabrier, Schumann, Brahms, Britten, Mitchell
Jonathan Eyers; Ilan Kurtser
Critiques récentesEn voir plus...

Glyndebourne’s season opens with Rossini’s Barber of Seville

Germán Olvera (Figaro) © Glyndebourne Productions Ltd | Tristram Kenton
Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

Dead Man Walking given a triumphant staging by Guildhall School

Michael Lafferty-Smith (Joseph), Jacob Harrison and Emyr Lloyd Jones (Guards) © David Monteith
Under Dominic Wheeler’s expert baton the musicians, all youthful if not downright young, give a spectacular account of a harrowing score. 

Picture perfect: a fine triple bill from the Guildhall School

Mark Bautista (Raimondo) and Faryl Smith (Mariuccia) in I due timidi © David Monteith-Hodge
Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.