Artiste: Julia Riley

Calixto Bieito, fiel a su estilo y tradición, se entrega a mostrar la caída en desgracia de la protagonista de Die Soldaten del modo más directo y descarnado posible.

Updating 470BC Abydos to a 1940s RAF base complete with tin hangar and outdoor privy seemed at times more Dad’s Army than a particularly cohesive tale of war and love.

Sonya Yoncheva brilliert in einer Inszenierung, die beweist, dass die Handlung von Verdis Oper über die Jahre nichts an Aktualität eingebüßt hat.

Die Zauberflöte may well tell us something about the Human Condition, but its staging in Zurich serves more to distract from the music and the messages than it does to support them.

Mozart’s penultimate opera, La Clemenza di Tito is a curious work; probably the least known of his major operas, it is heavy on the recitative and lacks any “big tunes”, but it has a fascinating and timeless plot, which offers moments of high drama and eloquently depicts the loneliness of the supreme ruler.