Critiques récentesEn voir plus...
A triumphant Zoraida di Granata by Donizetti at Wexford

A terrific cast of principal singers lead by soprano Claudia Boyle, coupled with compelling direction from Bruno Ravella make for an exhilarating operatic experience in Donizetti's Zoraida de Granata.
Marco Tutino's Two Women at Wexford Festival Opera

Artistic Director Rosetta Cucchi makes a compelling case for Marco Tutino's impassioned opera on the horrors of war from a woman's perspective.
ETO's new Il viaggio a Reims is a long journey

A Rossini comedy should sparkle, but this new production, starting its tour from Hackney, is decidedly lacking bubbles.
The other Otello: Rosetta Cucchi delivers a powerful staging in Pesaro

Rossini's Otello is rarely performed, mainly due to its three demanding tenor roles, but the Rossini Opera Festival delivers a knockout, both vocally and emotionally.
Handel's pasticcio Oreste in Bernburg at Halle Handel Festival
A staged performance of Handel’s pasticcio opera Oreste shows a strong narrative structure and provides a vehicle for promising young singers.
Slapstick, Eifersucht und Intrigen an der Wiener Kammeroper
In der Wiener Kammeroper ging das in einer „gekürzten Wiener Mischfassung“ neu eingerichtete Dramma giocoso La scuola de gelosi von Antonio Salieri über die Bühne, dessen slapstickartige Regie vonJean Renshaw die sehr differenzierte Neufassung gleichsam weichspülte.
