Artiste: Juliet Stevenson

Margaret Atwood’s dystopic novel, masterfully adapted for the operatic stage, is strongly performed at ENO and rings even truer today than it did when it was written.

For the first time in the Proms' history, the programme for the first of this season's Late Nights included the premiere of A Man from the Future, a groundbreaking new piece about codebreaker Alan Turing.

Can you imagine being a concertgoer in the early years of the 18th century, when Corelli, Vivaldi, Bach and Handel were all writing new music and performers were being pushed to find new ways of playing?