Critiques récentesEn voir plus...
Humorous Das Rheingold in Leipzig
Oper Leipzig's Das Rheingold unfolds with no set changes, giving Wagner's music plenty of opportunities to fuel the imagination.
An outstanding debut in new Leipzig Salome
In a state of almost child-like transfiguration and fulfilment, Strid's voice fully encompassed the extremes of the last scene.
Verve and commitment from new Freischütz
Christian von Götz's production doesn't all work, but he makes a viable, thought-provoking and entertaining show out of Weber's spooky classic.
Mixed success for Leipzig's futuristic Turandot
Balázs Kovalik's new dystopian Turandot is musically rousing but let down by a production that's more 1970s TV series than slick modern sci-fi.
Gewandhaus illuminates Wagner's Rienzi
Oper Leipzig served up Rienzi, der Letzte der Tribunen as the closing piece of its Wagner Festtage “Frühe Werke”.
Das Liebesverbot convinces in Leipzig
Oper Leipzig's co-production with Bayreuth Festspiele pulls off a delightful take on Wagner's Das Liebesverbot. With excellent vocals, the Gewandhaus Orchestra, and great wit, Wagner's comedy comes highly recommended.