Humorous Das Rheingold in Leipzig

Par Ako Imamura, 29 juin 2017

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“he opera unfolded as a sarcastic family drama full of irony and pathos”

Critique faite à Oper Leipzig, Leipzig, le 28 juin 2017

Wagner, L'Or du Rhin (Das Rheingold)

Oper Leipzig

Ulf Schirmer, Direction

Rosamund Gilmore, Mise en scène

Carl Friedrich Oberle, Décors

Nicola Reichert, Costumes

Tuomas Pursio, Wotan

Jürgen Kurth, Donner

Bernhard Berchtold, Froh

Thomas Mohr, Loge

Dan Karlström, Mime

Jürgen Linn, Alberich

Gal James, Freia

Wallis Giunta, Wellgunde

Eun Yee You, Woglinde

Henriette Gödde, Erda

Sandra Janke, Flosshilde

Karin Lovelius, Fricka

James Moellenhoff, Fafner

Runi Brattaberg, Fasolt

Gewandhausorchester Leipzig

Opernchor Leipzig

Passions tragiques et couleurs étonnantes : Carmen à Leipzig

Jean Landras, 23rd March

À l'Opéra de Leipzig, décors, lumières, costumes et orchestre prodigieux du Gewandhaus ont constitué un superbe écrin, enveloppant solistes et chœurs d'une Carmen très applaudie.

****1

Lady Macbeth of Mtsensk at Oper Leipzig

Mark Pullinger, 25th May

Two notable debuts dominate Oper Leipzig's notable Lady Macbeth revival: Kristine Opolais as Katerina and Andris Nelsons in the pit.

****1

Spellbinding Parsifal caps Oper Leipzig's massive Wagner 22 Festival

Ako Imamura, 14th July

Ulf Schirmer bows out as General Music Director as the last of Wagner's 13 operas completes a successful Festival Wagner 22 in Leipzig.

****1

Ein Wiener auf der Wartburg: Andreas Schager als Leipziger Tannhäuser

Michael Vieth, 26th June

Calixto Bieitos eigenwillige Sichtweise rundete sich mit Ulf Schirmers Dirigat zu einem Epos zwischen Melancholie und Apokalypse.

****1

Lohengrin as chamber opera in Patrick Bialdyga's Leipzig production

Ako Imamura, 26th March

A new production of Lohengrin at Oper Leipzig is conceived as an intimate chamber opera and succeeds with brilliant musical performances.

*****

Deutsche Geschichte für Reingefallene: neue Meistersinger in Leipzig

Alexandra Richter, 23rd October

David Pountneys Meistersinger enttäuschen mit einer an Geschichtsverständnis mangelnden und trägen Inszenierung, die aber immerhin stimmliche Glanzmomente liefert.

**111

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.