Artiste: Katrina Lindsay

Nouvelle production du rare opéra de Berlioz, Benvenuto Cellini, à l'Opéra Bastille. Mise en scène spectaculaire de Terry Gilliam.

There's no faulting the execution, but the former Python's take on Berlioz's dramatic legend is worryingly inconsistent in tone. 

Would a younger soprano taking the role of Tatyana blur Kasper Holten's "dancing doubles" vision of Eugene Onegin at the Royal Opera House?