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Gilliam's Damnation de Faust reaches the Staatsoper
There's no faulting the execution, but the former Python's take on Berlioz's dramatic legend is worryingly inconsistent in tone.
Seeing double: Kasper Holten’s Eugene Onegin
Would a younger soprano taking the role of Tatyana blur Kasper Holten's "dancing doubles" vision of Eugene Onegin at the Royal Opera House?
Bintley's The King Dances graces Sadler's Wells' stage
Birmingham Royal Ballet presents its Variations Triple Bill at Sadler’s Wells, with works by George Balanchine, Frederick Ashton and David Bintley