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Opera by committee: Opera Philadelphia premieres Complications in Sue
Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.
Opera Philadelphia's 10 Days in a Madhouse confronts madwoman myth
In this world-premiere work, which opens Opera Philadelphia's Festival O23, composer Rene Orth and librettist Hannah Moscovitch dramatize and deconstruct the true story of Nellie Bly's commitment to a mental asylum.
Cleveland Orchestra charms in all-Mozart program
Harry Bicket’s Mozart program traversed a sampling of the composer’s works in various forms, including the Prague Symphony and Exsultate, jubilate with Kiera Duffy.
Salonen revives Wing On Wing... and it flies!
Salonen's tribute to Gehry, Yasuhisa Toyota and Deborah Borda seems to come more from his brilliant visual palette than his emotional heart.
A speedy Beethoven Ninth disappoints in San Francisco
Beethoven’s call to joy and brotherhood left much to be desired if not for a fantastic chorus in the final movement.
Missy Mazzoli's Breaking the Waves opens in Philadelphia
The world première of Breaking the Waves was a qualified success, with a powerful drama performed with commitment by strong cast and musicians.