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Artiste: Kyle Abraham

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GenèveOcéans

© GTG / Ronald Curchod
Nakano, Svirsky
Aimilios Arapoglou; Damien Jalet; Kyle Abraham; Ballet du Grand Théâtre de Genève; Dan Scully; Reid & Harriet Design; Fabiana Piccioli; Elena Gui

New YorkNeoclassical Works – American Ballet Theatre

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Glazounov, Lichtenberger, Tchaïkovski
Sir Frederick Ashton; Kyle Abraham; George Balanchine; American Ballet Theatre; American Ballet Theatre Orchestra
Critiques récentesEn voir plus...

Pavement, le plaidoyer chorégraphique de Kyle Abraham

Le travail de Kyle Abraham, véritable chronique sur les conflits raciaux des banlieues noires américaines, s’inscrit dans une démarche artistique engagée. Son approche factuelle laisse pourtant la place à une recherche artistique originale et sensée, mêlant l’expressivité du break-dance à la douceur de la danse contemporaine.

An excellent contemporary program at New York City Ballet

India Bradley in Justin Peck’s Pulcinella Variations © Erin Baiano
New York City Ballet’s Contemporary Choreography I is a generous, exciting program featuring two new ballets that premiered at this season’s Fall Fashion Gala.

Misty Copeland eyes a future for ballet at the Joyce Theater

Paris Opera’s Sae Eun Park and Guillaume Diop in Romeo and Juliet © Steven Pisano
A triumphant world premiere from a young choreographer. A poor choice of pas de deux for Paris Opera étoiles. Three bracing solos. A strenuously sexy duet: Misty Copeland’s Ballet Festival.

Pop goes postmodern: Kyle Abraham's Cassette Vol. 1 in New York

William Okajima in Kyle Abraham's Cassette Vol. 1 © Christopher Duggan
A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year. 

Falling for Kyle Abraham, again, at New York City Ballet

Indiana Woodward and Taylor Stanley in Kyle Abraham's When We Fell © Erin Baiano
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

Abraham's 2x4 is a bright spot in an uneven program

A.I.M by Kyle Abraham in Andrea Miller's Year © Carrie Schneider
A.I.M by Kyle Abraham at the Joyce Theater proved to be a mixed offering with his own piece, 2x4, coming off best.