Critiques récentesEn voir plus...
The Skating Rink: Shivers up and down the spine
Tough, thrilling, ambitious and new: The Skating Rink is an exciting new major commission by Garsington, and its world première delivered on every level.
Disconnected dégustation: Pinchgut Opera's Rameau
Historically informed rarities from Rameau and Vinci aim to recreate the world of 18th-century opera-going in Paris. But a misaligned production distracts from this specialised experience.
Fresh, funny, frivolous: Patience in Cambridge
A joyous explosion of tuneful Victorian satire provides an unlikely, yet ideal, contrast to English Touring Opera's Tosca as their Patience tours the UK in this finely-cast, period-perfect production.
Truly, madly, but not quite deeply enough
A superbly-sung title role from Ed Ballard is the best part of this otherwise patchy, well-sung but ultimately unmoving Werther from English Touring Opera.
Missing magic: Pelléas et Mélisande
Fine orchestral and singing performances in ETO's Pelléas et Mélisande aren't enough to overcome some of the work's difficulties.
Not a wooden performance in sight: The Adventures of Pinocchio
The future of opera is in good hands, if Tuesday night’s opening of Jonathan Dove's The Adventures of Pinocchio at the Guildhall School of Music and Drama is any indication.
