Notre politique de confidentialité a été mise à jour pour la dernière fois le vendredi 25 mai 2018Voir iciIgnorer
Bachtrack logo

Artiste: Lesley Garrett

Spectacles à venirEn voir plus...

Saffron WaldenAn Evening with lesley Garrett

An Evening with lesley Garrett
Lesley Garrett, Soprano
Critiques récentesEn voir plus...

Jack the Ripper: The Women of Whitechapel

Alex Otterburn (Squibby) and Natalya Romaniw (Mary Kelly) © Alastair Muir
Daniel Kramer’s direction is a model of restraint compared to some of his earlier work for the company.

Muhly's Marnie fails to find the drama of the novel

Sasha Cooke (Marnie) © Richard Hubert Smith
A decent cast was unable to redeem a fundamentally dull opera that lacks the psycholgical complexity and tension of both the original Graham novel and its famous Hitchcock adaptation.

Pleasure: A refreshing operatic experience

Lesley Garrett (Val) © Robert Workman
So many things are right about Mark Simpson's new opera Pleasure, receiving its London debut at the Lyric Hammersmith.

Wedding chaos, deception and duplicity at Garsington

Weddings bring out the cynic in me. They also bring out the cynic in Don Alfonso and it’s at a wedding breakfast that John Fulljames sets his production of Così fan tutte

A brilliant pairing by Opera North: La Voix Humaine and Dido and Aeneas in Leeds

The evening begins with La Voix Humaine: “Elle” is staring at us fixedly for what seems like a minute, smoke from the cigarette in her fingers providing the only movement. She sits in an oblong frame surrounded by light bulbs, indicating a substantial mirror of the sort you might find backstage. The orchestra begins, and the music is edgy.