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Wedding chaos, deception and duplicity in Garsington’s Così fan tutte

Par Mark Pullinger, 06 juin 2015
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Garsington Opera, High Wycombe, le 5 juin 2015
Programme
Mozart, Così fan tutte
Artistes
Garsington Opera
Douglas Boyd, Direction
John Fulljames, Mise en scène
Dick Bird, Décors
Andreea Soare, Fiordiligi
Kathryn Rudge, Dorabella
Lesley Garrett, Despina
Robin Tritschler, Ferrando
Ashley Riches, Guglielmo
Neal Davies, Don Alfonso
The Gascoigne Orchestra
Voir plus de critiques Opéra
Monteverdi and Ulisse return happily to Garsington Opera
David Karlin, 12th June
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.
****1
Viennese splendour in Garsington’s Rosenkavalier revival
Roy Westbrook, 28th May
Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast. 
****1
Garsington’s new La traviata ticks every musical and dramatic box
David Karlin, 27th May
Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.
*****
A radically trad Fidelio at Garsington
Peter Quantrill, 27th June
Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
****1
Ravishing Rodelinda: Handel al fresco at Garsington Opera
Roy Westbrook, 13th June
Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing. 
****1
Three card trick: compelling new Queen of Spades at Garsington
Roy Westbrook, 29th May
Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing. 
****1
Plus de critiques...
Lire critiques de
Andreea SoareAshley RichesCosì fan tutteDick BirdDouglas BoydGarsington OperaGarsington Opera Youth CompanyJohn FulljamesKathryn RudgeLesley GarrettNeal DaviesRobin TritschlerThe Gascoigne OrchestraWolfgang Amadeus Mozart
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Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.