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Artiste: Louise Alder

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LondresBBC Radio 3 Lunchtime Concert/Artist spotlight: Louise Alder

© Gerard Collett
Schumann C., Boulanger, Chaminade
Louise Alder; Joseph Middleton

ViennaLe nozze di Figaro

Mozart: Noces de Figaro (Les)
Philippe Jordan; Jean-Pierre Ponnelle; Wiener Staatsoper; Andrè Schuen; Federica Lombardi

ViennaManon

Massenet: Manon
Evelino Pidò; Andrei Serban; Wiener Staatsoper; Peter Pabst; Louise Alder; Michael Fabiano
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ViennaLe nozze di Figaro

Mozart: Noces de Figaro (Les)
Philippe Jordan; Jean-Pierre Ponnelle; Wiener Staatsoper; Andrè Schuen; Federica Lombardi
Critiques récentesEn voir plus...

Perdidos en la espesura: Don Giovanni en el Teatro Real

Louise Alder (Zerlina), Anett Fritsch (Donna Elvira), Brenda Rae (Donna Anna) © Javier del Real | Teatro Real
Claus Guth nos traslada a un entorno sombrío y lúgubre para narrar las horas finales de un Don Giovanni herido de muerte.

From the sublime to the surreal: Louise Alder returns to Wigmore Hall

Louise Alder © Wigmore Hall
Louise Alder and Roger Vignoles offer French charm in their return to Wigmore Hall.

Comedy with knobs on: English National Opera's new Figaro

Colin Judson (Don Basilio), Louise Alder (Susanna) and Johnathan McCullough (Count Almaviva) © Marc Brenner
A witty, insightful production at the Coliseum fizzes with comedy and pathos. 

Sublime singing in Scenes from Goethe's Faust

Sir John Eliot Gardiner and the Royal Concertgebouw Orchestra © Jan Hordijk
Soloists and choir, headed by a spellbinding Christian Gerhaher, brought real lustre to Schumann’s treatment of Goethe’s magnum opus.

Dangerous Liaisons and Magic Horns close Oxford Lieder

Sholto Kynoch, Louise Alder and Nikolay Borchev © Mark Pullinger
The final day of Oxford Lieder's 80-event festival was framed by two recitals taking us from the world of German folklore andDes Knaben Wunderhorn, to the pain and drama of romantic entanglements. 

Highway to Hell: Don Giovanni returns to Covent Garden

Erwin Schrott (Don Giovanni) © ROH | Mark Douet
Kasper Holten's psychological take on the louche lothario remains controversial, but in its third revival, Erwin Schrott's powerful assumption of the title role is a delight.