Performer: Louise Alder

MadridDon Giovanni

Teatro Real, Dec 18 20:00, Dec 20 18:00, Dec 23 20:00, Dec 26 20:00, Dec 27 18:00, Dec 28 20:00, Dec 29 20:00, Dec 30 20:00, 2021 Jan 02 20:00, Jan 03 18:00, Jan 04 20:00, Jan 07 20:00, Jan 08 20:00, Jan 09 20:00, Jan 10 18:00

Mozart: Don Giovanni

Ivor Bolton; Claus Guth; Teatro Real; Christian Schmidt; Christopher Maltman; Adrian Eröd

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Staatsoper, 2021 Jan 24, 27, 30, Feb 03, 05 at 00:00

Mozart: Le nozze di Figaro (The Marriage of Figaro)

Philippe Jordan; Jean-Pierre Ponnelle; Vienna State Opera; Andrè Schuen; Federica Lombardi

Staatsoper, 2021 Mar 14, 18, 25 at 00:00

Massenet: Manon

Evelino Pidò; Andrei Serban; Vienna State Opera; Peter Pabst; Louise Alder; Michael Fabiano

LSO St Lukes, Fri 9 Apr 2021 at 13:00

Schumann C., Boulanger, Chaminade

Louise Alder; Joseph Middleton

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Staatsoper, 2021 May 09, 13, 16, 21, 25 at 00:00

Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)

Axel Kober; Andrei Serban; Vienna State Opera; Richard Hudson; Juan Diego Flórez; Sabine Devieilhe

Latest reviewsSee more...

Comedy with knobs on: English National Opera's new Figaro

Colin Judson (Don Basilio), Louise Alder (Susanna) and Johnathan McCullough (Count Almaviva) © Marc Brenner

Benjamin Poore, 14 Mar

A witty, insightful production at the Coliseum fizzes with comedy and pathos.

****1

Sir John Eliot Gardiner and the Royal Concertgebouw Orchestra © Jan Hordijk

Jenny Camilleri, 06 Dec

Soloists and choir, headed by a spellbinding Christian Gerhaher, brought real lustre to Schumann’s treatment of Goethe’s magnum opus.

****1

Sholto Kynoch, Louise Alder and Nikolay Borchev © Mark Pullinger

Mark Pullinger, 26 Oct

The final day of Oxford Lieder's 80-event festival was framed by two recitals taking us from the world of German folklore andDes Knaben Wunderhorn, to the pain and drama of romantic entanglements.

****1

Erwin Schrott (Don Giovanni) © ROH | Mark Douet

Dominic Lowe, 16 Sep

Kasper Holten's psychological take on the louche lothario remains controversial, but in its third revival, Erwin Schrott's powerful assumption of the title role is a delight.

***11